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Course Description Guide 2025-26

Performing Arts (2025-26)

The Performing Arts program at Trinity builds confidence in self-expression, develops the creative process, and cultivates an appreciation of the human experience. Performing Arts courses ask students to examine the nature of creativity, the development of both onstage and supporting position skills, and techniques unique to both musical and theatrical performance. The curriculum is designed to meet the needs of all students, with entry-level courses in music and theater for those who want to start their exploration to sequentially more advanced offerings, for those who wish to pursue a more in-depth study (including courses for students considering a potential career in the performing arts).

One year-long or two-semester courses are required. Scroll down for the course sequence.

Music

List of 13 items.

  • Piano Keyboard 1 - Grades 8-12

    Grades 8-12
    0.5 Credit

    Required tools: Students will need to have a piano or keyboard at home for individual practice. The school has a limited number of instruments that can be loaned to students who need one.

    This elective course is designed for students with little to no piano experience. It introduces the fundamentals of piano playing and musicianship, including basic music theory, music history, aural skills, and note reading. Students will explore classical, contemporary classical, pop, and rock styles through a combination of group and individualized instruction. By the end of the course, students should expect to perform at least four solo pieces using both hands, as well as one pop or rock song.
    This class may be repeated for credit with the instructor’s permission.

    Units of Study
    Note Reading and Keyboard Basics
    Major Scales and Key Signatures
    Dynamics and Playing Technique
    Chords and Lead Sheets
    The Development of the Piano
    Piano Anatomy
  • Piano Keyboard 2 - Grades 8-12

    Grades 8-12
    0.5 credit

    Prerequisite: Piano Keyboard 1 or proficiency in piano playing at an equivalent level, including the ability to read music.

    Required Tools: Students will need to have a piano or keyboard at home for individual practice.

    This elective course is designed for students who have learned the basics of piano keyboard. This course will further develop the fundamentals of piano playing and musicianship, including developing wrist technique, using the sustain pedal and songwriting basics. Students will continue to learn solo pieces throughout the course. Students learn through listening and responding, participating fully during class, and with some practice time outside of class.

    Units of Study:
    Major Scales and Key Signatures
    Playing Technique
    Minor Scales and Chord Inversions
    The Circle of Fifths
    Basics of Songwriting
    Principles of Arranging
    Interpreting Dynamics in Technique
  • Piano Keyboard 3 - Grades 8-12

    Grades 8-12
    0.5 credit

    Prerequisite: Piano 2 or equivalent knowledge or experience in a supervised setting (such as group classes or private lessons) or by instructor permission.

    Required tools:
    Students must have access to a piano or piano keyboard at home.

    This course is designed for students who have progressed to an intermediate level of piano playing and music theory knowledge. Students will work on more advanced piano techniques and higher-level pieces and further develop an understanding of musical styles and the use of all pedals. Students will get more experience playing the upright or grand piano in addition to a piano keyboard. Students will learn by group and individual instruction in class. Practice outside of class is expected.

    Units of Study
    Scales, Key Signatures and Chords
    Playing Technique
    Composition and the Circle of Fifths
    Jazz chords and Improvisation
    Ensemble Playing
    Musicianship
  • Preparatory Band - Grades 8-11

    Grades 8-11
    1.0 Credit 
    Required Tools:  Once an instrument choice has been made, students will need to rent or buy that instrument from area stores (except for tuba or electric bass)

    This yearlong course develops the fundamentals of playing a school band instrument. (brass, woodwind, percussion, or electric bass) Additionally, essential elements of music theory will also be explored. Students learn by playing as well as class discussion and analysis of musical selections. Students concurrently gain technique and musical knowledge, learn how to assess their playing, develop effective practice habits, and build musical independence and confidence. This class is open to all students, especially those who would like to eventually play in the school's Pep, Concert, and Jazz Bands. The main factors for student success in this course are determination and a willingness to practice consistently. There are several performance opportunities throughout the year. Students who wish to play in the Advanced Band (including Pep Band) the following year, should enroll in this class for both semesters. (total of 1 credit)

    Units of Study
    Fundamentals: Instrument Assembly, Sound Production and Maintenance
    We're Underway: Initial Notes, Rhythms, and Terms 1
    How to Practice, the Effective and Fun Way
    Listening All-Around: Playing in a Group
    Rhythmic Subdivision 1: 8th Notes and Rests
    Creating Musical Drama: Articulations and Dynamics
    Playing in 2/4 and 3/4 Time 
    Musical Patterns: Bb, F, Eb, Ab, Db, and C Major Scales
    Intermediate Notes (ranging beyond 1 octave), Rhythms and Terms 2
    Musical Flow: Structural Symbols
    Performances! (December, March, and *May) * play w/Advanced Band for some numbers
    Dotted Quarter and Dotted 8th Notes
    Syncopation
    Advanced Notes (functional range for Advanced Band), Rhythms, and Terms 3
    Musical Pattern: The Chromatic Scale
    Rhythmic Subdivision 2: 16th Notes and Rests
    Playing in 2/2 and 6/8 Time
  • Advanced Band - Grades 8-12

    Grades 8-12
    1 Credit

    PrerequisiteAt least 2 years of playing experience in a supervised setting (school ensemble or private lessons) OR completion of the Preparatory Band course with at least a 'B' grade and teacher recommendation. The student MUST be able to read music well; if her/his music reading ability is not secure, then the best course choice is Preparatory Band. Percussionists should have at least basic familiarity with and playing skills on mallet instruments. Any student that reads music well but with less than the required experience needs to see the director for a playing assessment before enrolling in this course. 

    Required ToolsStudents must have their own instrument with the exception of the following: tuba, bassoon, oboe, baritone sax, bass clarinet. Percussionists should own a snare drum or drum set and a bell set or keyboard/piano. Students need to purchase the "Tuning CD" and a metronome (any type is OK). These are one-time purchases that can be used in successive years.

    This course is designed to further develop each student's playing technique, musicianship (theory, concepts, terms) and to employ these in creating artful performances. A wide variety of musical styles are performed each year. Students learn by playing in each rehearsal as well as class discussion and analysis via critical listening of musical passages during rehearsals. Students learn to assess their own playing, create and implement effective practice habits to refine their skills based upon the requirements of the music, and work toward becoming independent and proficient musicians. This class is for musicians that enjoy the challenge of playing a wide range of music. This course is especially useful for any student wishing to pursue a career in music or that would like to build substantial musical skills that they can continue to enjoy in their post-school lives. The key qualities for students to be successful in this course are having enthusiasm, strong focus during rehearsals, consistent and effective practice habits, and a desire to be a productive contributor to an ensemble that seeks musical excellence. All band students perform for several school concerts per year as well as have the opportunity to play in the Trinity Pep Band, which performs for numerous sporting events during the fall and winter sports seasons. Additional experiences such as participation in various ensembles (jazz ensemble, district, all-state honors bands) are available to interested students who meet the qualifying criteria. This class may be repeated for credit with teacher recommendation.

    Units of Study
    Individual Musicianship: Determining What the Music Tells You to Work Upon 
    Effective Practice: Planning and Implementation
    Ensemble Musicianship: Critical Listening to the Music, Group and Your Roles
    Developing Artistry: Tone, Intonation, Articulation, Phrasing, Dynamic Shading
    Musical Independence and Leadership
    Popular Music Styles and Performances: 1st Semester
    Concert Band Music Styles and Performances: 2nd Semester
    Cabaret! Annual Theme Show (November or January)
    Holiday Concert (December)
    Spring Concert (March)
    Final Concert (May Fine Arts Festival)
  • Vocal Coaching - Grades 8-12

    Grades 8-12
    0.5 Credit

    Students in this course will develop vocal techniques to enhance tone and resonance, stabilize pitch, strengthen their sound, and expand their vocal range. They will explore both solo and ensemble singing across multiple genres while learning fundamental choral techniques. Students will also develop music-reading skills and perform as part of a larger ensemble at concerts, including Cabaret and the Spring Fine Arts Festival.
    This course welcomes students of all experience levels—success is achieved through active participation and a willingness to learn new musical skills. As an ensemble class, yearlong enrollment makes students eligible to audition for District Chorus and other VCDA audition ensembles.

    This course may be repeated for credit.

    Units of Study
    Vocal Anatomy and Breath Support
    Practice Skills
    Diction
    Music Theory
    Sight Singing
    Musicianship
    Microphone Use
    Performance Skills
  • Preparatory Strings - Grades 8-12

    Grades 8-12
    0.5 Credit

    Required Tools:  Students must have their own instrument. Several area stores rent/sell string instruments.

    This elective course is designed for students with no experience with a stringed instrument (violin, viola, cello, or string bass) as well as those students who have limited experience and need additional instruction to be prepared for the Orchestra class. This course will introduce the fundamentals of string playing and musicianship, including basic music theory and note reading. Students learn through listening and responding, participating fully during class, and with regular practice time outside of class. This class will use Hal Leonard's Essential Elements Series.

    Units of Study
    Practice Skills
    Reading Skills
    Bow Skills
    Left-Hand Skills
    Listening Skills
    Musicianship
  • Orchestra - Grades 8-12

    Grades 8-12
    0.5 Credit

    Prerequisite: At least one year of playing experience in a supervised setting (school ensemble or private lessons) or permission from the instructor.

    Required Tools: Students must have their own instrument. Several area stores rent/sell string instruments.

    This elective course is designed to further develop each student's playing proficiency, enhance their general musicianship (theory, concepts, terms), and become more artistic performers. Students will have the opportunity to perform in several school concerts during the year.  Students learn through listening and responding, participating fully during class, and regularly practicing outside of class. A variety of musical styles will be explored. Additional experiences such as participation in select ensembles (Central Regional and Senior Regional Orchestra, All-State Orchestra) are available to interested students who meet the qualifying criteria.

    This class may be repeated for credit.

    Units of Study
    Practice Skills
    Reading Skills
    Bow Technique
    Left Hand Technique
    Listening Skills
    Musicianship
  • Music Writing and Production - Grades 8-12

    Grades 8-12
    0.5 Credit

    Prerequisite:  Any other Trinity music course with at least a 'B' grade or passing score on the Music Skills assessment

    This course investigates the musical (creating good song flow, solid bass lines and chord progressions, singable melody) and technical (proper recording levels, mic choices, and placement, effects such as EQ and compression, creating engaging mixes) aspects currently used in creating popular music. Students learn by critical listening to sample professional and student projects, active discussion of the topics being explored, and then apply these principles within their own audio projects. The bulk of class time is spent working on audio projects. Students will learn how to create songs that have solid musical construction and professional production values as well as analyze these facets in the works of artists that they listen to. This class is for student musicians who wish to improve their songwriting and production skills, particularly those who are considering a career in any musical media field. Students need to be inquisitive and open to listening to and drawing ideas from successful music in a variety of styles, not just those that are their favorites. Additionally, students taking this course need a solid sense of discipline to apply the principles that are learned and be able to remain on task when working independently.

    This class may be repeated for credit with instructor recommendation.

    Units of Study (Original Course)
    Studio Basics: Hardware and Software
    Song Structure 1: Bass and Drums
    Song Structure 2: Major/Minor Scales and Chord Progressions
    Melody Writing
    Microphones: Types and Placement Techniques
    Effects 1: EQ and Compression
    Effects 2: Reverb, Delay, and Other Time-based Effects
    Creating Dynamic and Engaging Mixes
    Independent Projects

    Units of Study (Supplementary Topics if course is repeated)
    Mastering and Distribution
    'Cover' Projects
    Lyric Writing
    Horn and String Section Writing
    Independent Projects 
    Stereo and Other Multiple Mic Techniques
    Video Game Scoring
    Jingle Writing
    Outboard Effects Processing
    TV and Film Scoring
    Creating an Audio Portfolio
  • Guitar 1 - Grades 8-12

    Grades 8-12
    0.5 Credit
    Required Tools:  Students will need a functional Acoustic guitar for class. Ideally, they will provide their own instrument but there is a limited quantity of school instruments that may be checked out to a student for the semester if necessary. All students will also need a 1.5" 3 ring binder, an electronic tuner (preferably the clip-on type), 6 or more picks, 2 sets of extra strings for their style of guitar, and a capo. If a student borrows a school instrument, they will need to acquire these other materials and bring them to class.

    Guitar 1 investigates the universal language of music and how to express it with six strings. Beginning with rudimentary skills, the class works towards a solid understanding of both the instrument and basic music fundamentals. Students will learn about the elements of melody, rhythm, and harmony through an extensive variety of popular songs and other exercises.  In class, students will learn through interactive lessons and activities while playing songs together in a fun group environment. Students are also expected to use supplemental resources posted to Google Classroom and the instructor’s website to continue learning and effectively practice what is taught in class. This is not a performance-based class but students will be required to perform together once in the semesterly Fine Arts Festival.

    This class is appropriate for both aspiring players with absolutely no experience as well as guitarists who have experience but lack a strong comprehension of fundamental music skills.  Preparation, participation, focus, and respect are important for learning in a group setting and out of class, a routine of effective practice is imperative for improving skills.

    Enrollment in Guitar 2 is contingent upon either completing this class or demonstrating proficiency in the skills covered by an interview with the instructor.
     
    Units of Study
    Understanding Music as a Universal Language
    Instrumental Voices and Why the Guitar is Awesome!
    Transitioning from Enjoying Music to Playing It…
    What You Need to Know About Your Guitar and How to Use It
    Understanding, Speaking, and Reading Pitch as a Guitarist.
    Melody, Riffs, and Phrasing Musical Ideas as Conversation
    The Process of Progress: Effectively Learning and Practicing
    Comprehending, Reading, and Applying Rhythm as a Guitarist
    Building Harmony and Chord Shapes in the “Open Position”
    Chord Progressions, following Song Structure, and Common Strum Patterns
    Playing Songs in Different Styles/Genres using Similar Groups of Chord Shapes as an Application of Skills
    The Capo, How To Use It, and Making Difficult Songs Easy
    Pick Patterns, Basic Finger-Style, and Additional Techniques
    Preparing for and Performing as an Ensemble (December/May Fine Arts Concert)
    Life after Guitar 1
  • Guitar 2 - Grades 8-12

    Grades 8-12
    0.5 Credit
    Prerequisite:  Guitar 1 and/or teacher recommendation
    Required Tools:   Students will need a functional Acoustic Guitar, a 1.5" binder dedicated to the class, an electronic tuner, 2 extra sets of strings appropriate to their style of guitar, 6 or more picks, and a Capo.

    Guitar 2 is intended for competent intermediate and advancing guitarists with a functional understanding of the material covered in Guitar 1. Students will move beyond the open position and delve into bar chord shapes, extended chords, building major and minor scales, relationships between chords and key, arpeggios, lead technique, improvising, and other areas of fretboard knowledge. This is not a performance-based class, but students will be required to perform together once in the semesterly Fine Arts Festival.
    Building on the fundamentals acquired in Guitar 1, this course continues to investigate understanding the diverse language of music and how it can be expressed with the instrument. Students will learn to build their vocabulary by unlocking the fretboard and delving into more advanced skills, styles, and techniques as well as music theory applied through a broad range of songs.  In class, students will learn through interactive lessons, lectures, activities, and playing songs together in a fun group environment. Students are also expected to use supplemental resources posted to google classroom and the instructor’s website to continue learning and effectively practice what is taught in class.

    This course is intended for competent intermediate and advancing guitarists with a functional understanding of the material covered in Guitar 1 and a desire to learn more. Enrollment is contingent upon either completing Guitar 1 this or demonstrating proficiency in the skills covered by an interview with the instructor.

    Guitar 2 prepares students for a more informed pursuit of their musical interests and to take other departmental classes such as Guitar 3, Studio Music Production. It also puts students on track to take IB Music or CoLAB if they aspire to do so.  With increasingly complex material, the importance of engagement, focus during class and routine use of resources for effective out-of-class practice become even more imperative.

    Units of Study
    Leaving the Open Position with “Floating” Chord Shapes
    Unlocking the Fretboard and Playing Melodically Beyond the 5th Fret.
    Introduction to Major Scale Theory, Key Signatures, Intervals, and Building
    The Circle of 5ths and Why It is Useful
    Introduction to and Application of Basic “Closed” Barre Chord Shapes
    Extended Harmony, Evolving Chord Shapes, and Arpeggios
    Introduction to and Application of Major Pentatonic Scales
    Relative Minor Scales, Natural Minor Scales, and Building Harmony in minor Keys
    Introduction to and Application of Minor Pentatonic Scales
    Expression and Additional Techniques
    Introduction to Improvisation and Innovation
    Critical Listening Development
    Appreciation of the History and Evolution of the Guitar in Popular Music
    Preparing for and Performing as an Ensemble (December/May Fine Arts Concert)
    Life After Guitar 2
  • Guitar 3 - Grades 9-12

    Grades 9-12
    0.5 Credit

    Prerequisites:  Guitar 2 and Instructor Approval. This class may be repeated for credit with the approval of the Instructor as specific content taught varies each semester.

    Required Tools:  Students will need a functional Acoustic Guitar, a 1.5" binder dedicated to the class, an electronic tuner, 2 extra sets of strings appropriate to their style of guitar, 6 or more picks, a Capo, and a Guitar Strap.

    Continuing to grow from the knowledge, theory, and skills learned in previous courses, Guitar 3 moves towards an exploration of instrumental communication on an advanced level through an in-depth study of songs, playing styles, and influential musicians in the evolution of sonic culture. Specific songs and application of content rotate from year to year but students will continue to develop melodic, harmonic, and rhythmic skills, connecting chord and scale theory with playing techniques to build a stronger musical vocabulary.

    In class, students will learn through interactive lessons, lectures, and activities and by playing songs together in a fun group environment. Students are also expected to use supplemental resources posted to google classroom and the instructor’s website to continue learning and effectively practice what is taught in class.  Guitar 3 prepares students for serious pursuit of musical interests beyond the classroom and opens the door for them to take either IB Music or CoLAB with approval from the instructor. Motivated learning, engagement, and focus during class as well as routine use of resources for effective out-of-class practice are crucial.

    Units of Study
    Review of Knowledge and Skills Expected to Be Known
    Recognizing Similarities and Differences Between Songs by Key
    Engaging I-IV-V Chord Progressions, Variations, and Riffs
    Songs by Notable Guitarists
    Stylistic Explorations
    Drop and Alternate Tunings, Partial Capo Techniques
    Improvising
    Fingerpicking
  • Collaborative Music Studies - Grades 9-12

    Grades 9-12
    0.5 Credit

    Prerequisite: Guitar 3 and/or Instructor Recommendation after demonstration of satisfactory proficiency on a primary instrument. 

    Required Tools:  Students are expected to provide their own primary instrument.

    CoLAB is about investigating the possibilities of what can be done with 12 notes, building confidence, and practical skills, and learning to navigate the experience of musical collaboration in a safe, structured, and supportive environment. Students learn experientially by playing and exploring structured songs together, exercises designed to develop and apply practical skills, experimenting with instruments from the school’s collection, workshops, and demonstrations by guest artists, using laptops in conjunction with studio resources to record and grow ideas, working towards the ultimate goal of performing together in a live setting.

    This class is appropriate for serious musicians who have achieved a strong level of technical proficiency on their instrument and are interested in developing practical collaborative skills working together with other musicians.

    This course may be repeated for credit with instructor permission.

    Units of Study
    Instigating Collaboration and Finding Common Ground in the Vast Potential of 12 Notes.
    The Art of Conversation: Leading, Following, and Dropping into Uncharted Musical Territory
    Challenges and Pitfalls of Working with Musicians and How to Manage Them
    Bringing Songs to the Table, Building a Repertoire, and the Importance of Structure
    Improvising: Listening, Responding, and Learning to Take Risks with Confidence.
    Sonic Diversity and Developing Versatility from the Familiar
    Exploring the Un-familiar...Vocals and Other Instruments
    The Creative Cycle: Imitation, Inspiration, and Innovation
    Developing Ideas, Demos, and Studio Recording
    Gigging: Preparing, Rehearsing, and Doing it Live

Theatre

List of 4 items.

  • Elements of Theatre - Grades 8-12

    Grades 8-12
    0.5 Credit

    Additional Fee:  Possible ticket fee if we attend performances

    Elements of Theatre is a semester course in which students are introduced to the art and craft of theatre-making and theatre performance through participatory exercises and projects in mime, theatre games, improvisation, and rudimentary scene work as well as lecture/demonstrations on basic theatre terminology, direction, design, and production. The course seeks to develop the student's knowledge and understanding of the many elements that comprise a theatrical production and to develop the ability to analyze and evaluate these elements as both participant and spectator. This work culminates with each student creating a Production Notebook of their own. In addition, students develop creativity, collaborative skills, and comfort in presenting and/or performing for others. Consistent, active engagement and participation in the exercises, scenes, and projects and respect for peers are the key components for success in the course.

    Units of Study
    Tell Me a Story
    Talking Theatre
    Theatre Practice
    Putting It Together - Theatre Making
    Improv – Fake It Until You Make It?
    Your Mind's Eyes and Ears - Production Notebook
  • Entertainment Lighting Design and Technology - Grades 10-12

    Grades 10-12
    0.5 Credit

    Prerequisite: Technical Theatre or instructor permission
    Additional Fee:  Possible ticket fee if we attend performances, events, or conferences

    Light, or its absence, plays a major role in shaping our perception of the world around us. This is especially true in the managed environments of entertainment. From theatrical productions to dance, opera, architecture, concerts, spectacles and more, the intentional manipulation of light is a cornerstone in the process shaping the spectator’s experience. This course provides students the opportunity to learn, research, analyze, and apply the properties, theories, and technologies of light and lighting in order to serve and enrich various forms of entertainment. Students will study and apply the processes of creating and implementing a lighting design and develop the artistic, collaborative, and technical skills required for the successful realization of the design. Upon completion of the core units, each student will choose a track specific to their individual interest--Design or Technology--and develop and implement their collaborative thesis project within their chosen track. 10 Practical lab hours required.

    This course may be repeated for credit with instructor permission.

    Units of Study
    Introduction to Entertainment Lighting: Storytelling & Environments
    What does what U C say 2 U?
    Qualities, Characteristics, and Functions of Light 
    Color
    Projection & Media
    Design Basics
    Design Process
    Welcome to the “Real World” - Design Application
    Don’t get ZAPPED: Electrical Theory and Practice
    Hardware: don’t BE a tool – KNOW your tools.
    But what’ll it look like? - Communicating the Design Idea
    Makin’ it REAL: Communicating the Design Realization
    Lighting Production Team: Organization and Responsibilities
    Getting Along: Collaboration
    Bits, Bytes, and Blackouts: Programming
    Just do it! Thesis Project Tracks:
    • Designer
    • Electrician
    • Programmer
  • Technical Theatre - Grades 8-12

    Grades 8-12
    .5 Credit
    Additional Fee:  Possible ticket fee if we attend performances

    This course offers students the opportunity to learn and practice the fundamental methods and skills used to technically support a theatrical performance. The class combines lecture/demonstrations with applied, hands-on labs and projects. Students will learn the basic processes and materials used in theatrical scenery construction, lighting, and sound with an emphasis on safety. Students will be instructed in, develop and demonstrate the skills required for the proper use and application of standard hand and power tools as well as a variety of common construction materials and techniques which are utilized by both theatrical technicians and DIYers. No prior skill or knowledge is needed - only an interest in basic construction and/or technical theatre and a willingness to be an active participant. This class may be repeated for credit with the instructor’s permission.

    Units of Study
    Telling Stories
    Safety First!
    Tech Talk
    Hammer Time! The Essential Basics
    What's' Up Doc? Telling the Technical Story Visually
    If You Build It... 
    Lights Up!
    That Sounds Good!
    Knot Now!
  • Acting - Grades 10-12

    Grades 10-12
    0.5 Credit

    Prerequisite: Elements of Theatre or instructor permission

    Additional Fee:  Possible ticket fee if we attend performances

    The Acting Class is open to those students who have demonstrated a focused interest in performance. The course is designed for the dedicated student of acting and is based on a process/workshop approach. Through a combination of readings, research, and scene work students will study and develop their acting techniques. Specifically, students will develop their skills in script analysis, line memorization, character analysis and development, monologues, and improvisation. Students are required to keep an actor's journal, participate in the performance projects and attend school productions as well as participate in post-performance critiques. A final project consisting of an in-class presentation and performance is required. Students are assessed on the honesty and consistency of their work ethic as well as their willingness to support and collaborate with their peers. "Talent" is not a factor in assessments.

    Units of Study
    To Be….or…Not….
    What a Character!
    Words, Words, Words and the Sound of Silence
    The Magic If
    Do You Hear What I Hear?
    Full of Sound and Fury…
    Go Ahead...Make a Scene

IB Music

List of 2 items.

  • IB Music - Grade 11

    1 Credit
    Prerequisites:  Satisfactory score on a music skills placement test and teacher permission 

    Required
    Tools:  Instrumentalists must have their own instrument at home with the exception of percussionists, who should have the core instruments (snare and bells) at home but can use the school's percussion inventory to diversify their recital program.

    Additional Fees: Though not a school fee, private music lessons on a student's primary instrument or voice are HIGHLY encouraged to be taken through the senior year PRESENTING recital. IB assessment fees will be incurred in the second year of the course.
    This is the first year of a two-year course that examines music with regard to several distinct functions: music used for worship, sociocultural and/or national/political reasons; music used for dramatic impact to support movement/dance, theater, film, video games, and other media; music developed largely or completely through electronic/technological means; and music with a foremost purpose to be a listening experience.

    The course helps students develop three roles required for comprehensive musicianship:

    (1) RESEARCHER - Students conduct analyses yielding scholarly written observations about both musical (melody, rhythm, harmony, form...) and extra-musical (time period, societal context/function ...) aspects of works encompassing a wide variety of styles. (Popular, World, Art Music -"Classical", Hybrid works mixing these styles) Students will investigate music with which they are either somewhat or even completely unfamiliar as well as works they know well.

    (2) CREATOR - Students compose, arrange, and improvise music using style/genre guidelines.

    (3) PERFORMER -Students through their voices, instruments, and/or technology bring musical works into sound realizations.

    Students learn by frequent critical listening and analysis of musical works. The findings of their research inform the subsequent Creating and Performing activities.

    Students who would like to develop their musical skills to a high level, especially those who are considering a career in any music-related field should take this course. Key skills are the ability to listen critically and express findings from analysis (both in class discussion and in writing) and to work both independently and in collaboration with peers. It is important that students approach all studied music with an open mind and seek to understand both the emotional and intellectual aspects that are present in all well-crafted musical works.

    Interested students should contact the instructor for an assessment of their musical readiness within the first semester of their sophomore year.

    Units of Study
    Areas of Inquiry (AoI) 1-4: how is music created, performed, and used in different settings?
    Context: familiarity and accessibility
    Elements of Music 1: Melody, Rhythm & Harmony
    Aural Dictation
    Elements of Music 2: Texture, Dynamics, Articulations, Timbre
    Structure: Musical Organization
    AoI-based Musical Analysis: extramusical and musical findings, supporting evidence
    Personal Context Work Analysis
    AoI 1: Native American music -associated concepts: pentatonic scales, changing meters, vocables
    Creating Exercise 1-Native American melody
    Performance Adaptation of Native American Melody
    AoI 2: Modal jazz-associated concepts: modes, bass line construction, quartal and tertian chords in piano accompaniment
    Creating Exercise 2-modal jazz tune with jazz quartet
    AoI 1: Music with social message-associated concepts: writing for the public, popular song structure, lyric writing
    Creating Exercise 3-protest song
    AoIs 3/4: Synth film score-associated concepts: structural layering with loops, developing and manipulating melody, rhythm, and timbre with software technology
    Creating Exercise 4-synth film score
    AoIs 1/3: Folk dance music-associated concepts: signature elements (meter/tempo, rhythm patterns, structure); cultural markers
    Creating Exercise 5-folk dance composition, Irish jig, or Cuban danzón
    Performance Adaptation 2
    Personal Context Work Analysis
    AoI 2: Multi-section Writing-associated concepts: thematic repetition and contrast, key changes, sectional transition techniques
    Creating Exercise 6-Vocal or Instrumental Solo w/ accompaniment
  • IB Music HL/SL - Grade 12

    1 Credit
    Prerequisite:  Teacher recommendation based on the expectation of B or higher in IB Music

    Required
    Tools:  Instrumentalists must have their own instrument at home with the exception of percussionists, who should have the core instruments (snare and bells) at home but can use the school's percussion inventory to diversify their recital program.

    Additional
    Fees:  Though not a school fee, private music lessons on a student's primary instrument or voice must be taken through the senior year PRESENTING recital. Students in this course are expected to complete the IB assessments.  An IB assessment fee applies to all students taking this course.

    This is the culminating year of the IB Music course. Students move from the whole class analyses and related musical activities of the junior year into research, creating, and performing endeavors that are largely self-determined for each student.

    HL and SL students finish the EXPLORING phase from the prior year then move into the EXPERIMENTING phase, selecting works of interest and analyzing associated creating and performing practices and trialing these into their own creations and performances. In the final phase students compile a PRESENTING portfolio consisting of original creations, their most refined performances, and concise yet insightful written program notes that illuminate the defining musical characteristics of each submission.

    Each HL student also plans and in collaboration with at least one other student creates a project, the Contemporary Music Maker, that draws on the competencies, skills, and processes in all of the musical roles of the course, and is inspired by real-life practices of music-making.

    Students who would like to develop their musical skills to a very high level, especially those who are considering a career in any music-related field should take this course. Key skills are the ability to listen critically and express findings from analysis (both in class discussion and in writing) and to work both independently and in collaboration with peers. It is important that students approach all studied music with an open mind and seek to understand both the emotional and intellectual aspects that are present in all well-crafted musical works. Students must be forward-looking in their time management; judicious planning for the various submission schedules is of critical importance.


    Units of Study
    Selection, Compilation, and Submission of EXPLORATION Portfolio (Q1)
    Experimenting: Student-selected Analyses, Creations & Performances (Q2)
    Compilation and Submission of EXPERIMENTING Portfolio (Q3)
    Presenting: Written Program Notes and refined Creations & Performances (Q3 & 4)
    Submission of PRESENTING portfolio (Q4)
    *HL Students -The Contemporary Music Maker Project (Q1-4)

Course Sequence

Music

Level 1 Level 2 Level 3 Level 4
Preparatory Band Advanced Band IB Music IB Music SL/HL
Preparatory Strings Orchestra IB Music IB Music SL/HL
Guitar 1 Guitar 2 Guitar 3 Collaborative Music Studies
Vocal Coaching Music Writing & Production
Piano Keyboard 1 Piano Keyboard 2


Theatre

Grades 8-12 Grades 10-12
Elements of Theatre Acting
Technical Theatre Entertainment Lighting Design & Technology