1 Credit
Prerequisites: Satisfactory score on a music skills placement test and teacher permission
Required Tools: Instrumentalists must have their own instrument at home with the exception of percussionists, who should have the core instruments (snare and bells) at home but can use the school's percussion inventory to diversify their recital program.
Additional Fees: Though not a school fee, private music lessons on a student's primary instrument or voice are HIGHLY encouraged to be taken through the senior year PRESENTING recital. IB assessment fees will be incurred in the second year of the course. |
This is the first year of a two-year course that examines music with regard to several distinct functions: music used for worship, sociocultural and/or national/political reasons; music used for dramatic impact to support movement/dance, theater, film, video games, and other media; music developed largely or completely through electronic/technological means; and music with a foremost purpose to be a listening experience.
The course helps students develop 3 roles required for comprehensive musicianship:
(1) RESEARCHER - Students conduct analyses yielding scholarly written observations about both musical (melody, rhythm, harmony, form...) and extra-musical (time period, societal context/function ...) aspects of works encompassing a wide variety of styles. (Popular, World, Art Music -"Classical", Hybrid works mixing these styles) Students will investigate music with which they are either somewhat or even completely unfamiliar as well as works they know well.
(2) CREATOR - Students compose, arrange and improvise music using style/genre guidelines.
(3) PERFORMER -Students through their voices, instruments, and/or technology bring musical works into sound realizations.
Students learn by frequent critical listening and analysis of musical works. The findings of their research inform the subsequent Creating and Performing activities.
This course is a year-long elective for juniors. Students who would like to develop their musical skills to a high level, especially those who are considering a career in any music-related field should take this course. Key skills are the ability to listen critically and express findings from analysis (both in class discussion and in writing) and to work both independently and in collaboration with peers. It is important that students approach all studied music with an open mind and seek to understand both the emotional and intellectual aspects that are present in all well-crafted musical works.
Students must take private instruction with a qualified instructor on her/his instrument or voice through the senior year PRESENTING recital. Interested students should contact the instructor to arrange for an inventory of musical concepts no later than the end of their freshman year.
Units of Study
Areas of Inquiry (AoI) 1-4: how is music created, performed, and used in different settings?
Context: familiarity and accessibility
Elements of Music 1: Melody, Rhythm & Harmony
Aural Dictation
Elements of Music 2: Texture, Dynamics, Articulations, Timbre
Structure: Musical Organization
AoI-based Musical Analysis: extramusical and musical findings, supporting evidence
Personal Context Work Analysis
AoI 1: Native American music -associated concepts: pentatonic scales, changing meters, vocables
Creating Exercise 1-Native American melody
Performance Adaptation of Native American Melody
AoI 2: Modal jazz-associated concepts: modes, bass line construction, quartal and tertian chords in piano accompaniment
Creating Exercise 2-modal jazz tune with jazz quartet
AoI 1: Music with social message-associated concepts: writing for the public, popular song structure, lyric writing
Creating Exercise 3-protest song
AoIs 3/4: Synth film score-associated concepts: structural layering with loops, developing and manipulating melody, rhythm, and timbre with software technology
Creating Exercise 4-synth film score
AoIs 1/3: Folk dance music-associated concepts: signature elements (meter/tempo, rhythm patterns, structure); cultural markers
Creating Exercise 5-folk dance composition, Irish jig, or Cuban danzón
Performance Adaptation 2
Personal Context Work Analysis
AoI 2: Multi-section Writing-associated concepts: thematic repetition and contrast, key changes, sectional transition techniques
Creating Exercise 6-Vocal or Instrumental Solo w/ accompaniment